Enroute to the continuing Pune Worldwide Movie Pageant (which runs until January 19) Aparna Sen stopped by in Mumbai. The Kolkata-primarily based veteran actress-filmmaker is chairperson of the jury. She was wanting ahead to soaking in some world cinema and having fun with Pune’s cool climes. “A scarf and a pair of socks ought to do tremendous, proper?” she asks after we meet her at a espresso home in Juhu. “Mumbai and Kolkata aren’t precisely chilly,” she intones.
Shabana Azmi, Lillete Dubey and Aparna Sen within the upcoming English movie, Sonata
Every time doable, Sen visits Mumbai to compensate for what’s newest in her 5-12 months-previous grandson Haroon’s (daughter Konkona’s tot) life. “He has picked up Bengali, Hindi, English and Punjabi. However he prefers to speak to me in English. He refers to me as “mummum” – that is what Konkana calls me,” she says endearingly.
Identified for movies like 36 Chowringhee Lane (1981), Paroma (1984), Mr and Mrs Iyer (2001) and The Japanese Spouse (2010), Sen is at present within the midst of publish-manufacturing of her subsequent English movie, Sonata, which stars Shabana Azmi, Lillete Dubey and herself. Tailored from Marathi litterateur Mahesh Elkunchwar’s play of the identical identify, the movie revolves round three single ladies dealing with a mid-life disaster. Sen performs a professor, Azmi’s a banker and Dubey essays the position of a scribe.
Ask Sen about coping with two powerhouse actresses (Shabana and Lillete) and she or he laughs, “You imply had been there catfights and ego tussles? Did they provide me a troublesome time throughout the shoot? By no means, we’re removed from that. We accomplished the movie in 20 days in Kolkata. We have been all so into the character that there was no time to do the rest.”
Sen’s affiliation with Azmi goes again many years. “She calls me Rina. That is my pet title; solely these near me seek advice from me by that identify. This explains my rapport with Shabana. And I name her Munni; that is what her people have referred to as her at dwelling since childhood. She tells me when she shoots with me; it is tough for her to shoot with another person. Taking pictures with Shabana is pure pleasure. We focus on, dissect and she or he simply dives into the position.”
Mockingly within the movie, Azmi performs a Bengali character whereas Sen performs a lady from Uttar Pradesh. “That is the novelty as we stepped exterior our zones. It will be on condition that I play a Bengali and she or he from UP, however our position reversal has simply added to the movie.”
Azmi has additionally rendered two tracks in Sonata. “It is Rabindra Sangeet and once I advised her she ought to take a shot at singing as properly, she took it upon as a problem. She coached herself and hit the excessive notes with out taking recourse to a background rating.”
However, Sen has collaborated with Lillete for the primary time. “Now I ponder why I didn’t work along with her earlier. I might insist that her straight hair have that curly look to go together with her characterisation; now she’s hoping to work with me once more some day.”
Sen’s title is synonymous with arthouse and slice-of-life cinema. “I started as an actress in Bengali movies, however after I determined to show director, I clearly knew what sort of movies I’d make. I didn’t need to direct the identical sort of movies I had acted in. I needed to do significant movies as a director. Movies, I believed in, and never dictated by phrases and circumstances. It is my alternative. That is what makes me comfortable, that is what I’m comfy doing. Or I’d have continued to behave in industrial movies. I direct in English and Bengali as these are the languages I’m snug in.” On the identical time, she doesn’t think about Hindi movies an alien territory. Sen did strive becoming into Bollywood, however one thing or the opposite would occur and the mission wouldn’t take off.
Sen factors outs, “I feel most Bollywood stars are cautious of taking function choices for themselves. There are too many individuals round guiding them and telling them about their picture. While you relate a narrative to a Bollywood star they do not know whether or not they need to commit or not.” She is nicely conscious that Bollywood is dictated by economics, moderately than artwork.
Her final Hindi enterprise was Saari Raat with Konkana, Anjan Dutt and Ritwick Chakraborty. “It was a part of the Zeal for Unity venture and I hope the makers launch it.”
Like different Bengali filmmakers like Mrinal Sen, Buddhadeb Dasgupta and the late Rituparno Ghosh, she feels regional filmmakers are additionally identified and have gotten their due. “Our initiatives are appreciated, have gained awards, do the competition rounds. That’s what issues to me. I like attending movie festivals and travelling or take off to my Santiniketan dwelling after I wish to get away or pen a script.”
Sen has but to see daughter Konkana’s directoral debut, A Dying In The Ganj, on the large display. “I’ve watched it on a CD on TV, however the actual essence is if you view it in a cinema corridor. She avoided occurring the units or offering inputs to Konkana. “It’s her mission, however I understand how Konkana capabilities; she had visually imagined each scene in her head.”
Does she watch Bollywood flicks? “I’ve heard so much about Dangal, I believe I ought to watch it. The final Hindi movie I noticed was Ae Dil Hai Mushkil. I actually do not know why I noticed it. I believe due to Aishwarya Rai as she was again after some time. However I loved watching Masaan and Aligarh. Each had been exceptionally good with performances to look at.” A transparent reflection of the form of cinema Sen subscribes to.